Nice updated homage to Edward Steichen’s Flatiron–Evening Camera Work 14, I think.
The Flatiron, 1904
Edward Steichen (American, born Luxembourg, 1879–1973)
Gum bichromate over platinum print
18 13/16 x 15 1/8 in. (47.8 x 38.4 cm)
Alfred Stieglitz Collection, 1933 (33.43.39)
Steichen added color to the platinum print that forms the foundation of this photograph by using layers of pigment suspended in a light-sensitive solution of gum arabic and potassium bichromate. Together with two variant prints in other colors, also in the Museum’s collection, The Flatiron is the quintessential chromatic study of twilight. Clearly indebted in its composition to the Japanese woodcuts that were in vogue at the turn of the century and, in its coloristic effect, to the Nocturnes of Whistler, this picture is a prime example of the conscious effort of photographers in the circle of Alfred Stieglitz to assert the artistic potential of their medium.
Steichen and Stieglitz selected this photograph for inclusion in the International Exhibition of Pictorial Photography held at the Albright Art Gallery (now the Albright-Knox Art Gallery) in Buffalo, New York, in 1910. The exhibition of 600 photographs represented the capstone of Stieglitz’s efforts to promote Pictorialist photography as a fine art.
We will be exploring new alternative printing methods for iphonic art in iPhotographer Magazine, launching next month. Stay tuned.