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![[votd] Goya’s “Black” Paintings](https://pixelsatanexhibition.com/wp-content/uploads/2024/10/goya-1.jpg)
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![[votd] The Revenge of Analog: For Those Who Are Sick of the Digital World](https://pixelsatanexhibition.com/wp-content/uploads/2024/10/polaroid.jpg)
[votd] The Revenge of Analog: For Those Who Are Sick of the Digital World
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The resurrection of instant photography and hand printing and vinyl and more. I’m all for it!
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Paul Éluard and Max Ernst’s Les Malheurs des immortels (1922)
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in ArtIn 1921, the French poet Paul Éluard and his Russian wife Gaya travelled to Cologne where they met the artist Max Ernst, one of the pioneers of the city’s flourishing Dada movement. This encounter marked the start of a tumultuous ménage à trois, which saw Ernst leave his wife and child in Germany to set…
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![[vodt] Rick Beato Breaks Down the Weirdness of the Beatles’ “Ticket To Ride”](https://pixelsatanexhibition.com/wp-content/uploads/2024/10/beatoticketotride-1.jpg)
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![[VOTD] Eat The Document—Dylan’s Experimental Documentary](https://pixelsatanexhibition.com/wp-content/uploads/2024/10/DYLANDOC.jpg)
[VOTD] Eat The Document—Dylan’s Experimental Documentary
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I don’t know much about this film. It seems to be about a tour through the British Isles. The music starts about half-way through at the twenty-five minute mark.
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![[votd] Gustav Courbet—Realist Painter](https://pixelsatanexhibition.com/wp-content/uploads/2024/10/courbet.jpg)
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![[votd] Ashnikko—Possession of a Weapon](https://pixelsatanexhibition.com/wp-content/uploads/2024/10/ashnikko.jpg)
[votd] Ashnikko—Possession of a Weapon
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I knew nothing about Ashnikko before today. Like FKAtwigs, I was blown away with my first exposure to her music. There is so much incredible music out there. Never heard of her, but she’s got 2.69M followers on YouTube. I listen to this new music these kids are doing, the writing, the production and sometimes…
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![[votd] The Work of Art in the Age of Surveillance Capitalism](https://pixelsatanexhibition.com/wp-content/uploads/2024/10/surveillance-capitalism.jpg)
[votd] The Work of Art in the Age of Surveillance Capitalism
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From the YouTube page: I was attracted to making art that lived on social media because it boasted an emancipation of the means of production and as a result, a totally uninhibited method of expression. However, after I started posting I realised the technologies which appeared as laboratory had their own inherent techniques of exercising…
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