Pixels At An Exhibition
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  • Nacho—Xiamen Boats

    March 8, 2026
    Nacho—Xiamen Boats

    Country Joe & The Fish—Grace Cold rain to splash water diamonds colored green and Flash the sun to paint green her hair Cold rain to splash water diamonds colored green and Flash the sun to paint green her hair. Your silver streak flash Your silver streak flash Your silver streak flash Across the tiny door

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  • Spanish Garlic Eggs

    March 8, 2026
    Spanish Garlic Eggs

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  • [sunday] I had too much to dream last night

    March 7, 2026
    [sunday] I had too much to dream last night

    https://www.youtube.com/watch?v=amQtlkdQSfQ&list=RDamQtlkdQSfQ&index=1 Happy Sunday.

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  • [frisco] Frisco Noir with Rachel Walther #3; “Sudden Fear” (1952) & “House On Telegraph Hill” (1951)

    March 7, 2026
    [frisco] Frisco Noir with Rachel Walther #3; “Sudden Fear” (1952) & “House On Telegraph Hill” (1951)

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  • HyperCard Changed Everything

    March 5, 2026
    HyperCard Changed Everything

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  • How many PIXELS PER INCH do you need to make large prints?

    March 4, 2026
    How many PIXELS PER INCH do you need to make large prints?

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  • Cameron Crowe’s Closet Picks

    March 4, 2026
    Cameron Crowe’s Closet Picks

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  • [sunday] Damian De Souza – Moon Dancing

    March 2, 2026
    [sunday] Damian De Souza – Moon Dancing

    Enigma with Flower by Pablo Neruda Victory. It has come late, I had not learnt how to arrive, like the lily, at will, the white figure, that pierces the motionless eternity of earth, pushing at clear, faint, form, till the hour strikes: that clay, with a white ray, or a spur of milk. Shedding of

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  • Wendell Peek – Gimme Shelter

    March 2, 2026
    Wendell Peek – Gimme Shelter

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  • Why the Art World Couldn’t Handle This Face

    March 1, 2026
    Why the Art World Couldn’t Handle This Face

      In 1918, while the world was being torn apart by the machinery of the Great War, Marie Laurencin was painting a world that didn’t care. “Girl’s Head” isn’t just a portrait—it’s a fortress. Often dismissed as “too pretty” or “merely decorative,” this haunting watercolor hides a radical act of defiance. Today, we step behind

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