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How David Bowie and William Boyd Hoaxed the Art World
On April Fools’ Day, 1998, the crème de la crème of the New York art scene gathered for a party in the studio of Jeff Koons. David Bowie played host, and while a Who’s Who of the art crowd mingled over canapés and cocktails, the mastermind behind what would be (perhaps over-zealously) dubbed “the biggest…
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![[votd] Goya’s “Black” Paintings](https://pixelsatanexhibition.com/wp-content/uploads/2024/10/goya-1.jpg)
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![[votd] The Work of Art in the Age of Surveillance Capitalism](https://pixelsatanexhibition.com/wp-content/uploads/2024/10/surveillance-capitalism.jpg)
[votd] The Work of Art in the Age of Surveillance Capitalism
From the YouTube page: I was attracted to making art that lived on social media because it boasted an emancipation of the means of production and as a result, a totally uninhibited method of expression. However, after I started posting I realised the technologies which appeared as laboratory had their own inherent techniques of exercising…
